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1989-09-08
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Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
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完结
罗伯托·贝尼尼 史蒂夫·赖特 茹瓦·李 CinquéLee 伊基·波普 汤姆·威兹 JosephRigano VinnyVella ReneeFrench E.J.Rodriguez 阿莱克斯·德斯卡 伊萨赫·德·班克尔 凯特·布兰切特 杰克·怀特 梅格·怀特 阿尔弗雷德·莫里纳 史蒂夫·库根 加里格莱斯 罗伯特·菲茨杰拉德·迪格斯 比尔·默瑞 威廉·赖斯 泰勒·米德
本片是由11个黑白短片综合而成的短篇集,每个短片都围绕咖啡与香烟展开。 一。罗伯托·贝尼尼(罗伯托·贝尼尼 Roberto Benigni 饰)坐在一家咖啡馆喝着咖啡,史蒂夫·赖特(史蒂夫·赖特 St
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保罗·贝坦尼 詹妮弗·康纳利 杰瑞米·诺森 托比·琼斯 本尼迪克特·康伯巴奇 吉姆·卡特 比尔·帕特森 玛莎·威斯特 IanKelly 盖伊·亨利 AnabolenaRodriguez PaulCampbell ZakDavies 特蕾莎·邱吉尔 FreyaParks ChristopherDunkin GeneGoodman HarrisonSansostri 埃莉·哈丁顿 理查德·赖丁斯 IanMercer 罗伯特·格林尼斯特 肯·德鲁里 Freya Parks Martha West
在一个风景如画的英国乡村,自然学家查尔斯·达尔文(保罗·贝坦尼 Paul Bettany 饰)与妻女一起过着恬静的生活。他十岁的大女儿安妮对世界充满好奇,达尔文便教予她很多自然和科学知识,其中还包括他
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